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Cliffs Of Vermilion
Peter McLaughlin
Dog-Boy Records DB-02
Larry Carlin / May 1, 1997
Songs: Augusta Ridge, Cliffs Of Vermilion, Your Saddle Is
Empty Old Pal, Picking Peppers, Bird In The Wood, Cole Younger,
Georgiana Moon, It Ain't Right, Cottonpatch Rag, Ghosts Of The
Walls, Saint Anne's Reel/ Fisher's Hornpipe, Last Letter, Quaking
Aspen
Personnel: Peter McLaughlin -- guitar and vocals; Laurie Lewis --
fiddle and vocals; Tom Rozum -- mandolin and vocals; Jerry Logan --
bass; Todd Phillips -- bass; Craig Smith -- banjo; Tony Trishka
--banjo; Darol Anger --fiddle; and other special guests
Anyone who has seen Laurie Lewis and Grant Street perform in the
past six years or so has also seen Peter McLaughlin, who has been
the guitar player in the band for most of the 90s. He was National
Flatpicking Champion some years back and he has been singing
harmonies in Grant Street besides playing some red hot guitar. So it
was just a matter of time before he stepped out and made his own CD,
and it is called Cliffs of Vermilion.
Even though Peter has made his first "solo" recording
here, he has kept it all in the family -- both literally and
figuratively -- as not only are members of Grant Street backing him
up, the CD was produced by the multi-talented leader of the band,
Laurie Lewis, and he does a duet with his brother David and one with
his father Bill. So it sounds a lot like a Grant Street recording --
Laurie and Tom each even sing lead on a song -- with Peter doing
most of the lead vocals. While not the most dynamic singer in the
band, for a guy who doesn't get a chance to sing much on stage he
sounds pretty good on his own.
As you might expect from a player who usually lets his fingers do
the talking, Cliffs of Vermilion begins with a hot
instrumental that Peter wrote called Augusta Ridge. The second song
is the title cut, which was written by one of his bandmates in his
former band Flying South. Peter also lives in the area of Arizona
where the cliffs are located. Your Saddle Is Empty is a
traditional cowboy song that he learned from the Stanley Brothers,
and he sings it as a duet with his brother David, who used to play
in The Johnson Mountain Boys. Picking Peppers is a very nice
instrumental written by Peter, and that is followed by another
pretty song called Bird In The Wood, which is sung by Laurie
Lewis. Cole Younger is a bluegrassy traditional song about
one of Jesse James' gang members that Peter sings, and that is
followed by Georgiana Moon, a fiddle instrumental that is
played by Laurie and is a tribute to Chubby Wise. It Ain't Right
is a song from the 1930s that sounds like a Dan Hicks number but is
actually sung by mandolinist Tom Rozum. Cottonpatch Rag is
an instrumental that was written for the fiddle but is picked by
Peter on the guitar, and that is followed by Ghosts Of The Walls,
a minor mode song about a ghost town that was penned by Peter. Saint
Anne's Reel/ Fisher's Hornpipe are two more traditional
instrumentals. The Last Letter is an old cowboy song that
Peter sings as a duet with his father Bill, from whom Peter learned
a lot of these songs. And finally there is Quaking Aspen,
which features just Peter's voice and guitar plus bass and fiddle.
There is a good mix of material on Cliffs Of Vermilion,
and the production and pickin' are first rate. Yet such should come
as no surprise to fans of Laurie Lewis and Grant Street, who are
quite the talented band -- Laurie has several recordings of her own,
bassman Todd Phillips recently won a Grammy for his Bill Monroe
Tribute True Life Blues, and mandolin man Tom Rozum is recording his
first solo project right now. But if you've ever wondered what that
quiet guitar player in the band would sound like on his own, take a
trip to the Cliffs Of Vermilion. |